Nobody picks it like Mary Flower.
Flower’s immense finger-picking guitar and lap-slide prowess is soulful and meter-perfect, a deft blend of the inventive, the dexterous and the mesmerizing. Her supple honey-and-whiskey voice provides the perfect melodic accompaniment to each song’s story.
An internationally known and award-winning picker, singer/songwriter and teacher, the Midwest native relocated from Denver to the vibrant Portland, Oregon music scene in 2004. She continues to please crowds and critics at folk festivals and concert stages domestically and abroad, ones that include Merlefest, Kerrville, King Biscuit, Prairie Home Companion and the Calgary Folk Festival, among many.
A finalist in 2000 and 2002 at the National Fingerpicking Guitar Championship (Top three both years, and the only woman), a nominee in 2008 and 2012 for a Blues Foundation Blues Music Award, and a 2011 Portland Muddy Award winner, Flower embodies a luscious and lusty mix of rootsy, acoustic-blues guitar and vocal styles that span a number of idioms – from Piedmont to the Mississippi Delta, with stops in ragtime, swing, folk and hot jazz.
Flower’s 10 recordings, including her last four for Memphis’ famed Yellow Dog Records — Bywater Dance, Instrumental Breakdown, Bridges and Misery Loves Company — show a deep command of and love for folk and blues string music. For Flower, it’s never about re-creation. Her dedication to the art form is a vital contribution to America’s music.
“A world class finger-style guitarist and lap slide player.” – Downbeat Magazine
“There are few musicians in the genre bringing as much creative spark and low-key mojo to this century-old music…” – Acoustic Guitar Magazine
“Marries acoustic blues with touches of ragtime, folk, and jazz…the interplay is always interesting, often provocative, and sometimes breathtaking.” – Living Blues